Transpecies Design: Design for a Posthumanist World.
The book, edited by Adrian Parr Zaretsky and Michael Zaretsky, invites readers to rethink design beyond human-centred norms. Design has historically centred on fulfilling human needs and preferences, often overlooking the impact on other species and the ecosystems that sustain them. This book introduces recentring, which means shifting from human dominance to an approach that considers the well-being of all life forms. Drawing on ecological science and practical examples, it demonstrates how design can become inclusive, sustainable, and responsive to the interconnectedness of humans and nature. For designers, this signals a move away from short-term utility towards long-term ecological responsibility, where every design decision is evaluated for its role in supporting biodiversity and planetary health.

Key Takeaways
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Humans are inseparable from ecological systems, and their choices shape the web of life.
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Design should enable coexistence, creating spaces and products that support both humans and other species.
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Working with nature fosters resilience and offers solutions to climate and biodiversity crises.
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Responsibility in design extends beyond human needs, recognising our role within a shared ecological network.
Recentring Humans in Design
The book critiques anthropocentrism and explores how ecological science informs a shift towards pluralistic, ecologically attuned design. Decentring moves away from human dominance, acknowledging complex networks where social and natural processes co-produce environments. Ecology’s evolution from Enlightenment separations to integrated systems thinking provides the foundation for this transformation.
From Dichotomy to Coproduction
Enlightenment thought reinforced a human–nature divide, legitimising exploitation and colonialism. Contemporary ecology counters this by recognising that societies and ecosystems are co-produced. For design, this perspective demands models that reflect diversity and interdependence. It challenges designers to integrate ecological knowledge into planning, material selection, and lifecycle thinking, ensuring that interventions contribute positively to both human and nonhuman communities.
Implications for Design as a Research and Developing Discipline
Decentring in design means prioritising biodiversity and ecological integrity over convenience or short-term efficiency. This requires a fundamental shift in how designers approach projects. Instead of viewing design as a human-only enterprise, it becomes a practice of ecological stewardship. Nature-based solutions and ecosystem services should inform decisions about materials, energy use, and spatial planning. For example, architecture can integrate habitats for pollinators, urban design can restore green corridors, and product development can adopt regenerative materials that minimise harm to ecosystems.
Recentring does not erase human needs but situates them within a wider ecological web. Designers must ask: How does this design contribute to the resilience of ecosystems? Does it enable coexistence rather than dominance? Practical implications include lifecycle thinking, designing for circularity, and embedding adaptability to climate change.
Importantly, it signals that transpecies design is not just a set of practical guidelines but an emerging field of inquiry that shapes theory, methodology, and practice. As a developing discipline, it challenges conventional design education and professional standards, positioning design as a driver of ecological resilience and social equity.

“Put simply, human flourishing is existentially embedded in and intertwined with the flourishing of millions of other-than-human species” (Zaretsky & Zaretsky, 2025).
Transpecies Design – Design for a Posthumanist World, edited By Adrian Parr Zaretsky, Michael Zaretsky is available at Routledge.
Why is this relevant for Anthrotopia?
Transpecies design challenges the notion that design is exclusively human. It envisions collaboration with other species, reducing but not eliminating the ontological divide. This approach respects difference while promoting mutual flourishing. Ultimately, the book advocates a transformative design ethos grounded in decentring, pluralism, and coproduction. Recentring humans means acknowledging interdependence and creating designs that sustain both human and nonhuman life. For designers, this is not an abstract ideal but a practical imperative: to design for resilience, reciprocity, and ecological continuity in a world facing unprecedented environmental challenges.
This book offers essential insights for anyone interested in design, architecture, art, environmental philosophy, or cultural studies.
Book Image Source: © Routledge
Post images: © Jensen Ragoonath, Unsplash


